Formell y Los Van Van | Orquesta Filarmónica del Desierto, Coahuila de Zaragoza

Inauguration

Directors: Samuel Formell - Natanael Espinoza

Formell y Los Van Van, a legendary Cuban group that continues playing with the peculiar sonority of the ‘songo’, has a long recording history that includes a Grammy and other important achievements in more than 50 years of career on the world stages. They will inaugurate the Cervantino together with the Philharmonic Orchestra of the Desert, Coahuila de Zaragoza, which, under the baton of Natanael Espinoza, has in its repertoire popular genres that connect with different audiences. 

Schedule Mi Cervantino
Formell y Los Van Van | Orquesta Filarmónica del Desierto, Coahuila de Zaragoza

Formell y Los Van Van

Group | Cuba

Popularly known as Los Van Van, the group was founded on December 4, 1969, by the bassist Juan Formell, who put into practice the innovations experienced in the Orquesta Revé, where he had formerly performed. He changed the...
Formell y Los Van Van | Orquesta Filarmónica del Desierto, Coahuila de Zaragoza

Samuel Formell Alfonso

Cuba

Outstanding Cuban percussionist and musical director of the popular and internationally known Los Van Van Orchestra. Formell is a legitimate vanvanero. Grammy Award 1999.  Since 2004 the son of the famous Cuban...
Formell y Los Van Van | Orquesta Filarmónica del Desierto, Coahuila de Zaragoza

Orquesta Filarmónica del Desierto, Coahuila de Zaragoza

México

It was created in 2015 and since then, it has been directed by its creator, Natanael Spinoza, and it has its venue in Ciudad Fernando Soler Theatre, in Saltillo, Coahuila.   It has been invited to play in ...
Formell y Los Van Van | Orquesta Filarmónica del Desierto, Coahuila de Zaragoza

Natanael Espinoza

Artistic director | México

Graduated from the Coahuila Superior School of Music, with a major as a cellist. He studied orchestral conducting in Bucharest, New York, Havana and CDMX. He has been guest conductor for the Symphony Orche...

Curious fact:

Songo: 

It is a variation of salsa; it is known as the rhythm created by Juan Formell in the 70's; his orchestra was the laboratory where he experimented with new rhythms. He was the first to mix contemporary non-Latin styles such as jazz or funk with the rhythmic patterns of son. He worked limitlessly with the electric guitar, drums, synthesizer and programmed rhythms, at the same time encouraging the creativity of his musicians such as the percussionist Changuito, the sonero Pedro Calvo, the pianist and composer Pupy Pedroso and the flautist José Luis Cortés. In Formell's words, songo is "the synthesis of a personality, a way of being and feeling music, a summation of cultures and the way in which a multi-faceted and original musician performs ". 


Music MUSIC

Type of audience: General


Wednesday oct 13 2021, 20:00 horas
Duration*: 90 min.
Free access


oct 13 to apr 13, 2021, 20:00 - 20:00 horas
Broadcast duration: 90


Programming subject to change

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“Today, under the direction of his son, Samuel Formell, the group that has got to be considered the Cuban Beatles or the Train of the Cuban music, maintains their founder’s original idea, and it’s capable of regenerate itself over time, even though it’s faithful to Formell’s songo.” 

Ricardo Alonso Venereo. GRANMA

“Thanks to its great musical quality, the Desert Philharmonic Orchestra, Coahuila de Zaragoza (OFDC) keeps consolidating its position in the entity, since thanks to its prestige and projection it has obtained great achievements in the last years in the musical circuits at a national and international level.”

COAHUILA CULTURA

“It is true that Juan was always pending of the dancer requirements, but he also took care of the coupled sound of metals, of the overflowing rhythm richness and the powerful performance of his “pitchers” to win the game, as he used to call his singers.”

Guille Villar. CUBA DEBATE.

“Many surprises were waiting for the visitors. And among the most enjoyable where Los Van Van. An orchestra that had grown in parallel with the splendor of New York salsa, but with a genuine Cuban sound: you could recognize the trombones and the unbridled piano, even though everything was personalized by the violins and the flute of the charanga”.

EL PAÍS